Ancient egyptian chants

As long as humanity has had beliefs in a higher power, the use of magic, spells, curses, and incantations have featured widely across cultures. Here we feature five manuscripts that provide a fascinating window into the magic of the ancients. Desiring to acquire this wisdom, Abraham said he travelled to Mayence Mainz to study under a Rabbi, called Moses.

Abraham studied under Moses for four years before travelling for the next six years of his life, eventually reaching Egypt. Abramelin is said to have then taught Abraham his Kabbalistic magic and gave him two manuscripts to copy from. As part of a larger collection known as the Lesser Keys of Solomon, the Ars Notoria is a book that is said to allow followers a mastery of academia, giving them greater eloquence, a perfect memory, and wisdom.

The Ars Notoria is one of five books within a grimoire called the Lesser Keys of Solomon, an anonymous text that was compiled from other works in the 17th century, and focuses on demonology. The Ars Notoria is the oldest portion of the Lesser of the Keys grimoire, dating back to the 13th century. However, the texts contained within are a collection of orations, prayers, and magical words which date back to well before the s. The prayers are in several languages, including Hebrew, Greek, and Latin.

Those who practice liberal arts, such as arithmetic, geometry, and philosophy, are promised a mastery of their subject if they devote themselves to the Ars Notoria. Pseudomonarchia Daemonum, also known as the False Hierarchy of Demons, is a great compendium from the 16th century dictating the names of sixty-nine demons. The list initially appeared as an appendix to a book about demonology and witchcraft by Johann Weyer.

The son of a civic service merchant, Johann Weyer was a Dutch doctor and occult practitioner born in the Netherlands in Well versed in Latin from a young age, Weyer quickly became a student of Heinrich Cornelius Agrippa, a famous magician, theologian, and occultist in Antwerp. It appears that Weyer's fascination with magic began while working under Agippa, but later escalated after he became a doctor in his own right: he was summoned to a particular fortune teller's court case and thereby asked by the judge for advice on the topic.

This court case started his interest in researching the witchcraft way of life, culminating with his decision to attempt to defend those who were accused of practicing. Twenty-seven years after this case, when Weyer was sixty-two years old, he published Pseudomonarchia Daemonum.

Weyer's intention was to create a creed to vet out the accused who were, in fact, innocent. How helpful Weyer's efforts for the accused witches were remains unseen, yet there is evidence that his pleas for their mercy went predominately ignored. The Picatrix is an ancient Arabian book of astrology and occult magic dating back to the 10th or 11th century, which has gained notoriety for the obscene nature of its magical recipes.

The Picatrix, with its cryptic astrological descriptions and spells covering almost every conceivable wish or desire, has been translated and used by many cultures over the centuries, and continues to fascinate occult followers from around the world. Eventually, the Arabic writings were translated into Spanish, and later into Latin in for the Castilian king Alfonso the Wise. At this time it took on the Latin title Picatrix. The text is composed of both magic and astrology.

One element that has contributed to the notoriety of the Picatrix is the obscene nature of its magical recipes.Ancient Egypt provides us a treasure trove of religious, social, engineering and health related literature unsurpassed anywhere in the world. The Grand Old Library of Alexandria was one big facility that was the largest source of literary information and scholarly works during the middle Egyptian era.

A detailed study of ancient Egyptian religious literature provides us tons and loads of useful information on the topic of witchcraft and divine powers. Magic, sorceries and spells also formed an inalienable part of ancient Egyptian society.

Firm belief in magical spells, recitations and various other occult procedures made people to produce supernatural results and heavenly effects. An average Egyptian always believed in the power of magic to solve many of the most common problems relating to health, love, marriage, children, ghosts and evil spirits.

The mysterious way and intensive care with which experts performed innumerable magic and occult ceremonies were amazing! As early as in the first phase of great Egyptian kingdoms, the art of practicing magic and spells was common among the royalty and ordinary citizens.

There was a general belief that the earth has a very close relation with the ugly underworld, the sky and air with a countless numbers of visible and invisible beings, all of them either friendly and hospitable or enemy and inhospitable, depending on the conditions that were again favorable or unfavorable to men. In the ancient Egypt, witchcraft was completely scientific and orderly.

Though, it was heavily sprinkled with religious flavor, its practice was very precise, systematic, artistic and highly organized. Ancient mythologies religious texts, magic manual and occult sheets provided us an invaluable clue on the importance of occult science as a day-to-day activity.

Egyptian witchcraft and occult practices also depend on various other subjects like alchemy, astrology, astronomy, herbal medicines and animal concoctions. The person who was a consistent practitioner was an expert, and he or she could proudly announce that there was the cream of the society. Old world magic in Egypt did enforce a sort of profound fear among the ordinary people, who made it a point to purchase amulets, herbs, magic potions and other similar things from magicians and sorcerers; most of these things were purely for protecting the life, home, farm and other personal goods from those invincible ghosts and spirits.

The much celebrated Book of the Dead states that the main gates to distant, other world will never open to you, until you know your secret name or when you utter it an incorrect manner.

Egyptians were the first people to maintain and chronicle a number of superb books containing innumerable formulae, incantations, recitations, verses, poems, spells, charms and magical utterances for daily use and for special purposes. People found them very useful in the daily lives. One such tool was amulets that were very important for a number of purposes; amulets worn by the living people gave protection from ghosts and spirits, while when put on the dead souls, they saved them from bad influences.

Amulets are those intuitive pieces of instruments made by using any materials and some of them carved with magical formulae. Amulets also came in a number of shapes and sizes like scarab and heart.

Amulets also came in different forms just to protect different parts of the body. Egyptian history is also a big book of magic and occult, as it the science of magic appears in details even during the era of Great Moses and his brother Aaron. Exodus provides a graphical detail of the intense duel between these two brothers; just remember the famous incident of stick turning into a snake.

King Solomon was a magician indeed, as mentioned in the book, The Wisdom of Solomon.

ancient egyptian chants

This book provides details on how God gave him special powers including the capability to perform magic and occult. King Solomon had a great power to control even the most powerful demons.Music has been an integral part of Egyptian culture since antiquity. The Bible documents the instruments played by the ancient Hebrews, all of which are correlated in Egyptian archaeology.

Egyptian music probably had a significant impact on the development of ancient Greek musicand via the Greeks was important to early European music well into the Middle Ages. Egyptian modern music is considered as a main core of Middle Eastern and Oriental music as it has a very big influence on the region due to the popularity and huge influence of Egyptian Cinema and Music industries.

The tonal structure of Oriental Middle Eastern music is defined by the maqamatloosely similar to the Western modes, while the rhythm of Middle Eastern music is governed by the iqa'atstandard rhythmic modes formed by combinations of accented and unaccented beats and rests.

The ancient Egyptians credited the goddess Bat with the invention of music. The cult of Bat was eventually syncretised into that of Hathor because both were depicted as cows. Hathor's music was believed to have been used by Osiris as part of his effort to civilise the world. The lion-goddess Bastet was also considered a goddess of music. In prehistoric Egyptmusic and chanting were commonly used in magic and rituals.

Rhythms during this time were unvaried and music served to create rhythm. Small shells were used as whistles. During the predynastic period of Egyptian history, funerary chants continued to play an important role in Egyptian religion and were accompanied by clappers or a flute.

Despite the lack of physical evidence in some cases, Egyptologists theorise that the development of certain instruments known of the Old Kingdom period, such as the end-blown flute, took place during this time. The evidence for instruments played is more securely attested in the Old Kingdom when harpsflutes and double clarinets were played.

Cymbals frequently accompanied music and dance, much as they still do in Egypt today. Typically ancient Egyptian music was composed from the phrygian dominant scalephrygian scaledouble harmonic scale Arabic scale or lydian scale.

Early Middle Eastern music was influenced by Byzantine and Persian forms, which were themselves heavily influenced by earlier Greek, Semitic, and Ancient Egyptian music.

Egyptians in Medieval Cairo believed that music exercised "too powerful an effect upon the passions, and leading men into gaiety, dissipation and vice. Though, according to E.

Lane, no "man of sense" would ever become a musician, music was a key part of society. Tradesmen of every occupation used music during work and schools taught the Quran by chanting.

ancient egyptian chants

The music of Medieval Egypt was derived from Greek and Persian traditions. Lane said that "the most remarkable peculiarity of the Arab system of music is the division of tones into thirds," although today Western musicologists prefer to say that Arabic music's tones are divided into quarters.

The songs of this period were similar in sound and simple, within a small range of tones. Egyptian song, though simple in form, is embellished by the singer. Distinct enunciation and a quavering voice are also characteristics of Egyptian singing.

Male professional musicians during this period were called Alateeyeh pluralor Alatee singularwhich means "a player upon an instrument". However, this name applies to both vocalists as well as instrumentalists.

This position was considered disreputable and lowly. However, musicians found work singing or playing at parties to entertain the company. They generally made three shillings a night, but earned more by the guests' givings.

These singers were often hired on the occasion of a celebration in the harem of a wealthy person.

ancient egyptian chants

They were not with the harem, but in an elevated room that was concealed by a screen so as not to be seen by either the harem or the master of the house. The female Awalim were more highly paid than male performers and more highly regarded than the Alateeyeh as well.

Lane relates an instance of a female performer who so enraptured her audience that she earned up to fifty guineas for one night's performance from the guests and host, themselves not considered wealthy. In the second half of the 19th century, the Hasaballah genre of popular improvisational brass band folk music emerged, initiated by clarinettist Mohammad Hasaballah and his band, also called Hasaballah, playing in Cairo's music and entertainment quarter on Mohammed Ali Street.

The typical line-up of trumpettrombonebass and snare drumswas popular, such as at family events, for well over a century, and is still played.

Ancient Egyptian Handbook of Spells Deciphered

Egyptian music began to be recorded in the s when Egypt was still part of the Ottoman Empire.I bow to you, I bow to you, I bow to you, again and again. Grant me freedom, victory, fame and destroy all hositility. Create fresh ideas for innovation in our minds. Glorify true feeling of love in our hearts. Develop a purposeful vision in our Spirit. Amplify every signal of happiness in our life.

O Universal Mother! Evolve compassion and kindness in our attitude. Extend true love and lovely wishes in our hearts. Expand our thinking pattern toward all directions. Globalize the spirit of humanity in our world. We are thy little children. Spread thou eternal bless everywhere for everyone and Fuse all our thoughts for construction of creative ideas.

Harmonize our every thought, words and actions. Integrate our minds, hearts and spirits. For attaining the final journey of all human beings.

Ancient Egypt Crafts

Biblio graphy and Links. Aphrodite, Greek Goddess, Fast Facts. Artemis, Greek Goddess, Goddess of the Hunt. Athena, Greek Goddess - Goddess of Wisdom. Athena, Greek Goddess, Fast Facts. Cloud Hands Blog. Cloud Hands Blog - Goddesses. Devi: Goddesses of India. Comparative Studies in Religion and Society, 7. University of California Press, ISBN: Egyptian Deities. Egyptian Goddesses and Gods.When casting this powerful ancient Egyptian spells you also incorporate African black magic so that the quickness is ensured.

The spell will make your partner to love and surrender his or her self to you. The person will belong to you both in body, mind and soul. Whenever it comes to the time of making love, you will not hear all those other stories concerning sexual affairs. In addition, the lover will become submissive and very dedicated to the ideals of the relationship. Whatever sex position you ask for, he or she will definitely yield and submit to your demands.

Eliminate pride from the relationship, foster marital union, turn away intruders, and turn away undesirables and punish lovers. The changes are within hours of starting the spell, it does not matter if the person you love is proud, impassive or has a strong character. The spell will quickly make that person to get to you, and will submit to being loved to your will.

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Ancient Spells for Prosperity, Protection and Health

Likes Followers Followers Subscribers Followers. By dr mbasa Last updated Jul 11, You might also like More from author. Voodoo break up spells. Prev Next. Leave A Reply.For him, the nature of effective treatment inevitably contains one or more of four fundamental factors : a a shared world view by healer and patient, which makes the diagnosis or naming process possible ; b certain personal qualities of the practitioner that appear to facilitate the client's recovery ; c positive client expectations that assist progress ; and d a sense of mastery that empowers the client.

Here, we shall briefly discuss the more magical aspects of their medical discipline. Although Herodotus wrote the people of Egypt were healthy, the fact is, that as a whole, the opposite was true. Indeed, their mummies and skeletal remains tell a painful story.

Many Egyptians suffered from malnutrition, arthritic conditions and bilharzia a disease contracted by walking barefoot in contaminated watereye diseases, hardened arteries through stressinfections, tetanus, diabetes, smallpox, polio, tuberculosis and various plagues. Infant mortality was very high. Operations were seldom performed, not even tooth extractions Luban, pp. Although the wealthy probably lived longer than most, the large majority, irrespective of social class, never made it to sixty.

Although in general, ante-rationality is unable to define sharp divisions in abstract for all casesspecific, local contextualized distinctions are possible and operative. Hence, Ancient Egyptian medicine was able to draw a sharp contrast between trauma cf.

The causation of the latter was all too obvious and the outcome could be predicted. The same precision and certainty was also realized in monumental architecture and artistic representation. But internal medical disorders presented an entirely different picture. Infections, tumours and heart failure had no obvious causes and their outcome was difficult to predict.

They had few drugs which could have a decisive influence and their surgical repertoire was limited. In these cases, disorders were attributed to supernatural causes and magic was an important factor in treatment.

It was deemed essential that the healing ritual acted against the principle of suffering itself, called "wekhedu" "wxd"or "be painful, suffer, endure". As this term is also used with the feminine termination "wekhedut"two spirits of suffering are suggested. A person suffering from "wekhedu" is referred to as a "wekhedy". These spirits had the capacity to move about traverse, pull through the body cf. To do so, they used the "metu", the plural of "met" "mt".

Its meaning is unknown, but the "metu" are vessels, including bloods vessels, various ducts, tendons, muscles and nerves.

The Holiest of All Mantras

The "metu" transport blood, air, mucus, urine, semen, desease-bearing entities, malign and benign spirits. To the extent that they can be integrated into a belief system without violating the cultural underpinning of the traditionsthese elements may link anomalous healing experiences with clinical and research interventions. Because of the rule of the divine king, people expected their gods to be present in their temples. Thoth was of central significance to Egyptian medicine, because of his role as the god of writing, wisdom and balance.

Because a person expected to be healed, his or her own immune system was reinforced, which rebalanced the internal disorder. The resulting patient effect is the placebo effect, a response to the act of being treated. The patient's state of mind is the critical variable here. However, not the patient's faith in the curative powers of the substance is important, but his or her confidence that the healer is convinced of the efficacy of the intervention. The effects of hypnosis can be quite spectacular like walking on burning coal and the like.

The long-term effects of implanting suggestions is one of the reasons why public hypnosis shows have been prohibited. This is the most controversial approach, involving a violation of the known laws of energy conservation and transmission.The ancient Egyptians used this powerful meditation to infuse their bodies with light.

Hymn To The Aten (sung in Ancient Egyptian)

Each body part was dedicated to a divinity who directed the flow of life energy. This meditation may be recited upon waking while standing in an eastern window facing the sun, or before sleeping while lying in repose. After deep relaxation, begin naming the parts of your body that you dedicate to the Divine:. My face is the face of Nefertum, the golden child arising above chaos in beauty.

My eyes are the eyes of Hathor shining in the darkness. I see love and joy in all things. My ears are the ears of Anubis, hearing the messages of the Divine. My nose and longs are the nose and lungs of Shu, receiving fresh breezes that fill me with creative life energy.

My lips are the lips of Mut. What touches them receives my blessing and thankfulness. My teeth are the teeth of Serket, strong and nurturing. My neck is the neck of the Renenutet, which supports me and connects my intellectual, emotional, and physical bodies. My right or dominant hand is the hand of Khnum, endlessly creative, giving life to things of beauty.

My left or nondominant hand is the hand of Anket, receiving abundance from the bounty of the world. My forearms are the foreamrs of Neith, who weaves the destiny of one humankind. My shoulders are those of Wadjet, powerful, healing, and strong.

My chest and rib cage are those of Tefnut, containing and protecting the delicate inner parts of myself. My backbone is the backbone of Seth, the foundation of the world. My womb is the womb of Isis.

My reins are the reins of Satis, receiving abundantly what is needed and eliminating what is not. My belly and back are the belly and back of Sekhmet, source of my spiritual fire and power. My hips and legs are those of Nut, carrying me safely through the day and night.

Wherever I need to be, there I find myself. My feet are the feet of Ptah, a firm foundation for all of myself. My fingers are those of Orion and Sirius, sparkling and brilliant, creating anew, rebuilding, tearing down, heralding new life. My bones are the bones of all the living gods and goddesses, the living Uraei that protects and energizes and life to its spiritual source. There is no member of my body that is not the member of a divine being.

My body knows what it needs to give and to receive. Thoth and Isis shield my body wholly, filling it with energy and radiating love. I am shining as Ra and Raet day by day. These are the words of power that live forever. As I rise and walk on earth, so do I rise and walk always in the realm of heaven, under the nurturing care and the divine power of the gods and goddesses.

From: Feasts of Light. Your email address will not be published. If you would like some advice about what sort of magick is needed, simply enter a short explanation of your situation. Our resident witch will be happy to assist.

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